Envelope Follower, Step Sequencer, and Function Generator pages are available, with each providing a range of parameters designed to help users introduce some movement into their sounds. Master Mix, Movement, and FX Level controls are provided in the plug-in’s Output section, and the GUI can be extended to reveal the plug-in’s range of modulation options.
The Distortion section then offers a Drive control accompanied by Low Cut and High Cut parameters, with a Dry/Wet control providing parallel distortion functionality, and an Output knob taking care of gain staging duties. The section has also gained a Stereo knob, allowing users to manipulate the overall width of their source. The Filter section is equipped with a Master Cutoff control along with High Pass and Low Pass parameters, each of which are joined by a Peak control. The two sections can also be re-routed, allowing the filter to be placed either before or after the distortion. The plug-in’s Distortion and Filter sections promise to deliver the sonic character that made the MS-20 popular, offering a range of howling filter sweeps and overdriven tones which can be enhanced with some modern modulation functions. To celebrate the holiday season, the plug-in will be available for free for anyone to download until 2 January 2023. (Not what swayed my decision, but worth a mention.Arturia have revealed Filter MS-20, an effects plug-in which uses the company’s True Analog Emulation technology to model the filter section of Korg’s iconic MS-20 synthesizer. I liked the keys on the MicroBrute MUCH more than those on the Korg, if that matters at all to you. This is really a question of what you want to do with your synth.įor what it's worth, I currently own a MicroBrute and not a Korg MS20, though the MS20 is a bit unnecessary for me as I'm also running a full blown modular.
The SubPhatty doesn't have the capabilities for anything as sophisticated as the MS20, and it doesn't have much that makes it stand out (like Metalizer or Supersaw on the MicroBrute), but it does classic Moog synth tones quite well, with a few extra options which are nice. The Moog SubPhatty is a good choice if what you care most about is a great classic synth tone, because its filter will give you exactly that. This is really nice in my opinion, but some don't like how they sound. The MS20 is really good if you want a great entry into serious synthesis, with tons of routing capabilities and features (such as Ring Mod and Sample+Hold).īoth of the aforementioned synths have more unusual sounding filters. The MS20 is twice the price of the MicroBrute, and it has many more features than the Microbrute. Lots of really nice sounds, and the patch capabilities make routing intuitive. MicroBrute is an absolutely killer little synth.
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